{"id":1215,"date":"2023-06-28T22:11:26","date_gmt":"2023-06-28T22:11:26","guid":{"rendered":"https:\/\/rubenrodriguez.info\/?page_id=1215"},"modified":"2023-06-28T22:15:22","modified_gmt":"2023-06-28T22:15:22","slug":"change-and-lust","status":"publish","type":"page","link":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/","title":{"rendered":"Change and Lust"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1215\" class=\"elementor elementor-1215\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4a4ee91 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4a4ee91\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-af700a8\" data-id=\"af700a8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-78cb593 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"78cb593\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-divider{--divider-border-style:none;--divider-border-width:1px;--divider-color:#0c0d0e;--divider-icon-size:20px;--divider-element-spacing:10px;--divider-pattern-height:24px;--divider-pattern-size:20px;--divider-pattern-url:none;--divider-pattern-repeat:repeat-x}.elementor-widget-divider .elementor-divider{display:flex}.elementor-widget-divider .elementor-divider__text{font-size:15px;line-height:1;max-width:95%}.elementor-widget-divider .elementor-divider__element{margin:0 var(--divider-element-spacing);flex-shrink:0}.elementor-widget-divider .elementor-icon{font-size:var(--divider-icon-size)}.elementor-widget-divider .elementor-divider-separator{display:flex;margin:0;direction:ltr}.elementor-widget-divider--view-line_icon .elementor-divider-separator,.elementor-widget-divider--view-line_text .elementor-divider-separator{align-items:center}.elementor-widget-divider--view-line_icon .elementor-divider-separator:after,.elementor-widget-divider--view-line_icon .elementor-divider-separator:before,.elementor-widget-divider--view-line_text .elementor-divider-separator:after,.elementor-widget-divider--view-line_text .elementor-divider-separator:before{display:block;content:\"\";border-bottom:0;flex-grow:1;border-top:var(--divider-border-width) var(--divider-border-style) var(--divider-color)}.elementor-widget-divider--element-align-left .elementor-divider .elementor-divider-separator>.elementor-divider__svg:first-of-type{flex-grow:0;flex-shrink:100}.elementor-widget-divider--element-align-left .elementor-divider-separator:before{content:none}.elementor-widget-divider--element-align-left .elementor-divider__element{margin-left:0}.elementor-widget-divider--element-align-right .elementor-divider .elementor-divider-separator>.elementor-divider__svg:last-of-type{flex-grow:0;flex-shrink:100}.elementor-widget-divider--element-align-right .elementor-divider-separator:after{content:none}.elementor-widget-divider--element-align-right .elementor-divider__element{margin-right:0}.elementor-widget-divider:not(.elementor-widget-divider--view-line_text):not(.elementor-widget-divider--view-line_icon) .elementor-divider-separator{border-top:var(--divider-border-width) var(--divider-border-style) var(--divider-color)}.elementor-widget-divider--separator-type-pattern{--divider-border-style:none}.elementor-widget-divider--separator-type-pattern.elementor-widget-divider--view-line .elementor-divider-separator,.elementor-widget-divider--separator-type-pattern:not(.elementor-widget-divider--view-line) .elementor-divider-separator:after,.elementor-widget-divider--separator-type-pattern:not(.elementor-widget-divider--view-line) .elementor-divider-separator:before,.elementor-widget-divider--separator-type-pattern:not([class*=elementor-widget-divider--view]) .elementor-divider-separator{width:100%;min-height:var(--divider-pattern-height);-webkit-mask-size:var(--divider-pattern-size) 100%;mask-size:var(--divider-pattern-size) 100%;-webkit-mask-repeat:var(--divider-pattern-repeat);mask-repeat:var(--divider-pattern-repeat);background-color:var(--divider-color);-webkit-mask-image:var(--divider-pattern-url);mask-image:var(--divider-pattern-url)}.elementor-widget-divider--no-spacing{--divider-pattern-size:auto}.elementor-widget-divider--bg-round{--divider-pattern-repeat:round}.rtl .elementor-widget-divider .elementor-divider__text{direction:rtl}.e-con-inner>.elementor-widget-divider,.e-con>.elementor-widget-divider{width:var(--container-widget-width,100%);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b3e2d58 elementor-widget elementor-widget-spacer\" data-id=\"b3e2d58\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fbcb7b4 elementor-widget elementor-widget-text-editor\" data-id=\"fbcb7b4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>CHANGE AND LUST<\/strong><\/p><p>\u00a9 Aldo Men\u00e9ndez. 2019<\/p><p>It is very difficult to write about Rube\u0301n Rodri\u0301guez (Ca\u0301rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Herna\u0301ndez\u2014surely one of our most comprehensive analysts\u2014published in the catalog for Rube\u0301n\u2019s personal exhibition, \u201cCripta\u201d (Crypt; Galeria Habana, February, 1991). An exhibition, which reclaimed his forms and work as a part of the 80\u2019s; since its inception the proposals from this artist and a small group of colleagues\u2014for their individuality and particular hallmark\u2014were marginalized from the epochal clamor directed or concentrated on the arte de la ruptura (Breakaway Art as its known in English), which questioned and exerted the criticism of art itself, of the political, social and ethical.<\/p><p>When I surrendered myself to the adventure of opening an artistic screen-print workshop back in 1983, Rube\u0301n was among the first to join the company, remaining one of its founders. Immediately my attention was drawn to something that emerged from his character; he seemed to conform more to street culture than the institutional, as well as a nature, which locks beneath seven bolts a countless number of emotional battles and existential anguish, along with his artistic works they revealed the almost absolute expressive predominance of his drawing, that with practice and time, implicitly dominates, achieving a well established trade that makes it seem spontaneous, when in reality it responds to a consummated control of gesture and composition, and what is vital to a general design of discursive spaces.<\/p><p>Based on these graphic presumptions, it is easy to make a mistake and link him to the work of Servando Cabrera\u2014a referent undoubtedly present in Rube\u0301n\u2014however, in my opinion, the drawings and paintings of his teacher were generally completely ornamental or desperately contrived, save for a few exceptions produced around 1970 when Servando remained under the blessed influence of De Kooning. I concur with Orlando Herna\u0301ndez that Rube\u0301n and the expressive universe of his strokes\u2014at the national level\u2014correspond better with those of Wifredo Lam and A\u0301ngel Acosta Leo\u0301n.<\/p><p>Within the history of Modern Art, I find certain parallels with approaches that Egon Shiele took from his guide Gustav Klimt, evolving them to the heat of the implicit mockery in his sensuality, which intensifies the dramatic force to the grotesque, ravishing the conventional physical forms adopting fragmentation, enforcing foreshortening and at the same time, flat planes. From his viewpoint, Rube\u0301n manages to disarrange the real proportions of their bodies that respond to the excesses and exaggerations provoked by carnal desire, unimaginable couplings as well as implicit and conceivable fetishisms in the rapturous morphology\u2014to the Cuban, without any crude drama.<\/p><p>If the stages of Rube\u0301n\u2019s departure are marked by an intimacy that came to brush against the occult, with an impervious lyric of pessimistic tinge and symbolism in the matter of licentiousness which combined perfectly with religiosity\u2014in the end the indelible mark\u2014the key to his originality lay in this, in the artistic, that which makes it flexible driving it from the shadows towards the light.<\/p><p>I think that this change begins to reveal itself after 2004, with his exhibit Proverbs and Initiations (Galeria Habana), there in some pieces he already gambles on introducing clear atmospheres (dispelled). This new direction greatly values simplicity and textural quality above color and when it does participate, it is limited to dyeing an area or giving a subtle or intermittent accent. Rube\u0301n goes from submerging himself in complex ruminations; and today, the artist within him\u2014not an intellectual either\u2014seeks happiness on earth or in his most volptuous fantasies, by which he exhibits and airs sexual pleasures without shame, describing games of possession, schemes and debauchery that the consented never constitute as depravations, reflecting passion and the liberties which the seducer allows himself; he himself has said to believe: \u201c&#8230;in eroticism as the lifeblood of existence,\u201d situating himself in the libido line of psychoanalysis, which erects a source of pleasure, especially aphrodisiacs, the fundamental impulse and creative force of vital energy.<\/p><p>This change that had its prehistory in the great human fears, in the lack of answers and terrible disagreements, now consents to harmony, even the approach nods towards ornamentation to the extent that the aesthetic shoots. The sequence of the change is followed through his exhibits: Amulets, 2006, Galeria Palacio de Lombillo; Camas Ocupadas, 2008, Galeria Origenes; Pan\u0303os Negros Rojos y Blancos, 2015, Galeria Villa Manuela and Aventuras del Cuerpo, 2016, Galeria Arche.<\/p><p>At this point, Rube\u0301n tends to capture and interpret us, the movements, vibrations and rhythms which shape his obsessions; this revival has made his textures want to offer, more and more, the illusion and sensation of skin\u2014a basic and instinctive ingredient in intercourse\u2014his bill is such, that it elicits the viewer to touch, to caress the medium; paper and cloth with the qualities of velvet flesh.<\/p><p>Rube\u0301n arrives at the Kendall Art Center in Miami with a budding vision, gifting us answers through a kaleidoscopic corporal language, comprised of the infinite postures with which the act allows us to further approach the sublime. Introducing him is enriching for me, that I have the honor to curate the show and for this institution whose founder, collector Leo Rodri\u0301guez, has always been guided by his open perception of our art, which from this offshore promotional platform, seeks to broaden his historical understanding without the usual deformities and gaps that generate hatred and certain established interests.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-af4f6db elementor-widget elementor-widget-spacer\" data-id=\"af4f6db\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>CHANGE AND LUST \u00a9 Aldo Men\u00e9ndez. 2019 It is very difficult to write about Rube\u0301n Rodri\u0301guez (Ca\u0301rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Herna\u0301ndez\u2014surely one of our most comprehensive analysts\u2014published in the catalog for Rube\u0301n\u2019s personal exhibition, \u201cCripta\u201d (Crypt; Galeria Habana, February, 1991). An exhibition, which reclaimed his forms and work [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1130,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Change and Lust - Ruben Rodriguez<\/title>\n<meta name=\"description\" content=\"It is very difficult to write about Rub\u00e9n Rodr\u00edguez (C\u00e1rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hern\u00e1ndez...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Change and Lust - Ruben Rodriguez\" \/>\n<meta property=\"og:description\" content=\"It is very difficult to write about Rub\u00e9n Rodr\u00edguez (C\u00e1rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hern\u00e1ndez...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/\" \/>\n<meta property=\"og:site_name\" content=\"Ruben Rodriguez\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-28T22:15:22+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/rubenrodriguez.info\/wp-content\/uploads\/2023\/06\/ruben-rodriguez-cuban-artist-010.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"680\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/\",\"url\":\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/\",\"name\":\"Change and Lust - Ruben Rodriguez\",\"isPartOf\":{\"@id\":\"https:\/\/rubenrodriguez.info\/#website\"},\"datePublished\":\"2023-06-28T22:11:26+00:00\",\"dateModified\":\"2023-06-28T22:15:22+00:00\",\"description\":\"It is very difficult to write about Rub\u00e9n Rodr\u00edguez (C\u00e1rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hern\u00e1ndez...\",\"breadcrumb\":{\"@id\":\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/rubenrodriguez.info\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Change and Lust\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/rubenrodriguez.info\/#website\",\"url\":\"https:\/\/rubenrodriguez.info\/\",\"name\":\"Ruben Rodriguez\",\"description\":\"Cuban Visual Artist\",\"publisher\":{\"@id\":\"https:\/\/rubenrodriguez.info\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/rubenrodriguez.info\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/rubenrodriguez.info\/#organization\",\"name\":\"Ruben Rodriguez\",\"url\":\"https:\/\/rubenrodriguez.info\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/rubenrodriguez.info\/#\/schema\/logo\/image\/\",\"url\":\"\",\"contentUrl\":\"\",\"caption\":\"Ruben Rodriguez\"},\"image\":{\"@id\":\"https:\/\/rubenrodriguez.info\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Change and Lust - Ruben Rodriguez","description":"It is very difficult to write about Rub\u00e9n Rodr\u00edguez (C\u00e1rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hern\u00e1ndez...","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/","og_locale":"en_US","og_type":"article","og_title":"Change and Lust - Ruben Rodriguez","og_description":"It is very difficult to write about Rub\u00e9n Rodr\u00edguez (C\u00e1rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hern\u00e1ndez...","og_url":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/","og_site_name":"Ruben Rodriguez","article_modified_time":"2023-06-28T22:15:22+00:00","og_image":[{"width":900,"height":680,"url":"http:\/\/rubenrodriguez.info\/wp-content\/uploads\/2023\/06\/ruben-rodriguez-cuban-artist-010.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/","url":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/","name":"Change and Lust - Ruben Rodriguez","isPartOf":{"@id":"https:\/\/rubenrodriguez.info\/#website"},"datePublished":"2023-06-28T22:11:26+00:00","dateModified":"2023-06-28T22:15:22+00:00","description":"It is very difficult to write about Rub\u00e9n Rodr\u00edguez (C\u00e1rdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hern\u00e1ndez...","breadcrumb":{"@id":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/rubenrodriguez.info\/index.php\/change-and-lust\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/rubenrodriguez.info\/"},{"@type":"ListItem","position":2,"name":"Change and Lust"}]},{"@type":"WebSite","@id":"https:\/\/rubenrodriguez.info\/#website","url":"https:\/\/rubenrodriguez.info\/","name":"Ruben Rodriguez","description":"Cuban Visual Artist","publisher":{"@id":"https:\/\/rubenrodriguez.info\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/rubenrodriguez.info\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/rubenrodriguez.info\/#organization","name":"Ruben Rodriguez","url":"https:\/\/rubenrodriguez.info\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/rubenrodriguez.info\/#\/schema\/logo\/image\/","url":"","contentUrl":"","caption":"Ruben Rodriguez"},"image":{"@id":"https:\/\/rubenrodriguez.info\/#\/schema\/logo\/image\/"}}]}},"acf":[],"_links":{"self":[{"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/pages\/1215"}],"collection":[{"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/comments?post=1215"}],"version-history":[{"count":4,"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/pages\/1215\/revisions"}],"predecessor-version":[{"id":1225,"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/pages\/1215\/revisions\/1225"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/media\/1130"}],"wp:attachment":[{"href":"https:\/\/rubenrodriguez.info\/index.php\/wp-json\/wp\/v2\/media?parent=1215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}